Amira Dhanoa hello@chandnidhanoa.com New York · Los Angeles Program and Project Manager, Arup New York

I manage cultural and civic capital work, carrying it from the budget and the contracts through fabrication, freight and installation on live sites.

Six years of project and program management across civic, cultural and commercial development, three of them in the built environment. That has meant a $4.3M public art portfolio delivered inside an active construction site, a broken budget audited and then owned, investment scenarios modeled from $5M to $50M so a client could choose what to build, and stores, exhibitions and fixed-date sets taken from drawings to opening. The fourteen projects below are grouped by what each one demonstrates.

Resume

$4.3MPublic art portfolio delivered inside an active construction siteSee 00$5M–$50MInvestment scenarios modeled for a 4-acre civic parkSee 034Countries of freight origin, one construction calendarSee 00500+Site personnel sharing that calendarSee 005Foundries and fabricators across three time zonesSee 0510 wksFinished plans to an operating store, with permitsSee 01
Part I

Delivery on Live Sites

The construction calendar belongs to someone else, so the work is fitting fabrication, freight and installation inside it while keeping the budget and the contracts true.

Part II

Options and Investment Cases

A client deciding how much to spend needs to see what each level buys, so the scenarios are built on the numbers and the plan survives whichever number wins.

Part III

Cultural and Artistic Projects

Artists’ timelines, fabricators’ lead times and an opening that will not move, handled with the same controls as any other delivery.

Part IV

Clients, Frameworks and Offerings

What gets built for clients has to be repeatable, measurable and paid for: training, frameworks, operations, and the proposals that win the work.